Awards
- Gold Winner, K-DESIGN AWARD (2019)
- Bronze Prize, Pin Up Design Award (2015)
- Grand Prize, Korea Institute of Design Promotion International
Conference (2015)
Exhibition / Project
2026
- Featured in Monthly Design – Cell Moon Jar / Press
- Featured on Jeonju MBC / KBS as a young artist reinterpreting tradition / TV
- Featured in Jeonbuk National University’s English newspaper for works - - reinterpreting tradition / Press
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2025
- Group Exhibition, The Universe of Yin and Yang, Week Alley / Exhibition
- Cell Moon Jar at Section, a mixed-use cultural space in Hwaseong / Exhibition
- Cell Moon Jar pop-up in Seongsu / Exhibition
2024
- Korean Object Class, Jeonju Traditional Cultural Heritage Center / Exhibition Planning & Exhibition
- Participated in a group exhibition at Jeonbuk National University on reinterpretations of tradition / Group Exhibition
- Hansogaek Mobile, Jeonju Traveler Lounge / Installation Art Project
2022
- Featured on Jeonju MBC and Jeonju KBS as a young artist reinterpreting tradition / TV
- Well Mobile, Gorip Wanju Cultural Institute / Project
2021
- Korean-style goods production for the Ministry of Patriots and Veterans Affairs / Project
2019
- Participated in CES, MWC, and MWCA / Exhibition Planning & Operations
Branding, motion graphics, and product design for the AI robot brand Torok
2017
- Planning for VMD projects with major companies including Amorepacific, Chanel, and Samsung Laurent / Planning
2016
- B.A. in Industrial Design, Jeonbuk National University
- Overseas internship at “english fella”
2012
- Tent London / Exhibition
- New York Gift Show / Exhibition
- Seoul Design Festival / Exhibition
이하영
Lee hayoung
한국의 전통 문화재를 보존의 대상이 아닌, 현재의 감각으로 다시 살아나는 존재로 바라본다. 달 항아리와 민화 청자 등 한국적 오브제는 그의 작업 안에서 고정된 과거의 상징을 벗어나, 분해되고 확장되는 조형 언어로 재구성됩니다. 전통을 그대로 재현하기보다 구조와 여백, 반복의 리듬에 주목하며, 이를 세포 분열과 생명성이라는 개념으로 풀어냅니다. 이를 통해 전통은 박제된 유산이 아닌, 오늘의 삶과 감각 속에서 다시 호흡하는 존재로 제안합니다.
전통과 현대 공예와 예술의 경계를 넘나들며,
한국적 문화재가 지금 이 시대에도 유효한 감각이 될 수 있음을 보여주려 합니다.
He sees Korean traditional heritage not as something fixed in the past, but as something that can live again through contemporary sensibilities. In his work, Korean objects such as moon jars, minhwa, and celadon are reinterpreted as new sculptural forms. Rather than simply reproducing tradition, he explores structure, emptiness, and repetition through the ideas of cell division and vitality. Through this process, tradition becomes not a preserved relic, but a living presence within contemporary life.
Crossing the boundaries between tradition and modernity, craft and art, he aims to show that Korean heritage can still hold meaning today.
Signature Works
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